Romanticism on Ice: Coleridge, Hogg and the Eighteenth-Century Missions to Greenland
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Brad Sullivan
Cultivating a “Dissenting Frame of Mind”: Radical Education, the Rhetoric of Inquiry, and Anna Barbauld’s Poetry
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Katey Castellano
Burke’s “Revolutionary Book”: Conservative Politics and Revolutionary Aesthetics in the Reflections
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Lisa Crafton
“A sick man’s dream”: Jephthah, Judges, and Blake’s Visions of the Daughters of Albion
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Lucy Morrison
Effusive Elegies or Catty Critic: Letitia Elizabeth Landon On Felicia Hemans
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Stephen Minta
Letters to Lord Byron
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Daniel Schierenbeck
The “silver net of civilization”: Aesthetic Imperialism in Mary Shelley’s The Last Man
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Miriam Wallace
Constructing Treason, Narrating Truth: The 1794 Treason Trial of Thomas Holcroft and the Fate of English Jacobinism
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L. Michelle Baker
Creative Shipwrecks: Coleridge’s The Rime of the Ancient Mariner and Byron’s Don Juan
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Kerri Andrews
Countering ‘the poverty of thought in novels’: radical authorship and The Royal Captives by Ann Yearsley
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Erin Sheley
Re-imagining Olympus: Keats and the Mythology of the Individual Consciousness
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Betsy Winakur Tontiplaphol
Wherewith They Weave a Paradise: Keats and the Luscious Poem
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Marie Hockenhull Smith
The Silent Woman in the “Criminal Conversation” Trial and her Displaced Defences: “A Letter Always Reaches its Destination”
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Nick Groom
Reviews
Debbie Lee. Romantic Liars: Obscure Women who became Impostors and Challenged an Empire. New York and Basingstoke: Palgrave Macmillan, 2006. ISBN: 0312294581. Price: $75
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Tilar J. Mazzeo